It's been another long wait but we're back with a new episode of The Scratch Cast. Since we last met, Grant laid some slabs and became a Swifty, while Snedds witnessed a man's descent into madness during Dune: The Musical.
All tagged music review
It's been another long wait but we're back with a new episode of The Scratch Cast. Since we last met, Grant laid some slabs and became a Swifty, while Snedds witnessed a man's descent into madness during Dune: The Musical.
It's been a while since our last episode but Episode 16 of The Scratch Cast is finally here.
In this episode, Grant treats himself to a whisky, Snedds makes yet another Jamie Lenman reference and talks about cardboard mazes and both discuss the finer points of drinking too much cordial… oh and of course we review some new music…
We review albums from London’s acoustic folk duo Radiant Heart, Hamilton, Ontario’s punk rock heroes The Dirty Nil, Kenosha, Wisconsin’s art rapper R.A.P. Ferreira, The Scratch Cast podcast favourites, Stockholm, Sweden’s Viagra Boys & much more.
Grant and Snedds from The Scratch Cast podcast put pen to paper and list some of their favourite albums of 2020.
We review albums from Nova Scotia’s alt-country songstress Norma Macdonald, California’s alt-rock weirdos Eels, English folktronica legends Tunng, Brooklyn, New York’s punk rockers I Am The Avalanche and much more.
ICYMI - We interviewed Chad from Kestrels back in October - Check out the interview below.
On this episode we review The Big Moon’s sophomore album “Walking Like We Do”, the “Common Sense” EP from Scratch Cast favourites Viagra Boys, “Underneath” the fourth studio album from the genre-bending Code Orange and “Everything is A-OK” the oh so nostalgic fifth album from Australian alt. rockers Violent Soho.
Bonds, the new album from London based band Lost in the Riots is the first album I’ve ever received in advance of its release which for me is a big deal.
Morbid Stuff is the highly anticipated new studio album from Canadian punk rock band PUP. On their third album can they fulfil the high expectations that the hype machine demands?
The Brit Awards happened just last month; I didn't watch them. I've never been particularly invested in The Brits because I have no interest in most of the artists involved and the winners tend to be frustratingly predictable even when interesting artists are nominated.
Blockhead is a producer and DJ from NYC. I discovered his latest album, Free Sweatpants, through Backwoodz Studioz, the label that released the astonishingly good Paraffin by Armand Hammer last year (which featured on my 35 favourite albums of 2018).
If you like savage, hard hitting, hardcore influenced metal with coarse vocals and a bit of melody sprinkled throughout then The Language of Injury might just be for you.
If you get the chance to see The Pharcyde live I’d absolutely recommend that you do as they clearly haven’t lost any of their magic over the years.
Following on from the look back at my favourite albums of 2018, I thought I'd close out that retrospective by also sharing my favourite EPs of said year.
What better way to start the new year than by looking backwards instead of forwards? 2018 was a fantastic year for music and I consumed a lot of great albums and great albums deserve to be shared.
All That Divides is a genuinely brilliant album; it’s melodic, catchy, bone crushingly heavy and if you are into alternative music, absolutely essential.
A few weeks ago I travelled with my better half to Madrid for a short holiday and to attend one day of the Mad Cool music festival. The main reason for this was to see Pearl Jam who, at the end of 2017, had announced a number of European Tour Dates for 2018.